This book is a really good book. Like all of Mary Downing Hahn's books, this book is unlike others. Eliza, a tomboy girl who lives with her aunt and uncle decides to go and try to find her papa. On her journy she meets Calvin. A boy that claims he's an outlaw. They go through many adventures and then in the end Eliza shows true courage and they also find a shocking surprise that awaits them at the end of their journey. I recemend this book to ages 9 and up.

This is a really great book. It kept me interested not only because of its great descriptions and exciting plot, but also because I live in Colorado. Mary Hahn is a fantastic author and a lot of thought was put into her book. It's a story everyone should know.

This is a great book. I'm 12 and this a book for everyone to enjoy. the descriptions are great and not to long. There is not a single part where this story is boring. You feel like you are in the story and in the old west. This book is not an old fashioned book. You can realy picture the characters

I found the book most enlightening. It seems that so much of religous thought and teaching of Judao/Chritian religions Leave out the feminine voices and personalities of the old testament. I was very impressed with what these women accomplished with their lives and with Layne Redmond's midrash type commentary after each. I learned more than I have for years about God / Goddess working through people.

Miki River gives voice to the voices we have never really heard before, although their names and circumstances are well known to us. Finally, the power and the glory of these utterly modern women resonate deeply and joyfully.

An amazingly clear view into the lives of women of the bible. The greatness of this work, besides its unbelievable clarity and great beauty is its connection to women of today. Delilah and Monica Lewinsky have more in common than just a beautiful face and an attraction to strong men. Wow! I really love this book.

As an adult I love these stories. They are repetitive and have a rhythm. This is what the kids love about the books. My son loves the part where Mr. Putter's knees are cranky. Instead of using the word old, decrepit, or any other word that may be over the heads of kids; they used cranky. Kids can relate to this word! It is a true story of friendship. This is a funny story. Kids will love making their predictions as to how the book ends. This is the type of book to let them practice with predictions. It is easy enough that a beginner to chapter books would have an easy time with this book. The words are simple and so is the storyline. This is why Cynthia Rylant's books are all terrific! I highly recommend this book!

The Mr. Putter and Tabby series are the sort of books that I would have loved to have when I was a beginning reader. I know that I would have read them over and over again to no end, even once they began to fall apart from constant use. That's why I am so glad that Mr. Putter and Tabby are around now while my youngest brother is learning to read. The non-repetitious (words are repeated, but not enough to become explicit), non-rhyming storytelling contained within the books makes them a pleasure to read continually, unlike many other easy-reader books. And in my opinion, the Mr. Putter and Tabby books are a step in front of Ms. Rylant's Henry and Mudge collection, due to the fact that, in their own way, they create an appreciation for the elderly as the reader comes to love Mr. Putter, the aging main character whose only companion is his cat, Tabby.

In Mr. Putter and Tabby Pick the Pears, the fourth book in the series, Mr. Putter attempts to pick the pears from the tree in his backyard. The ailments that come with old age try to keep him from accomplishing his task, but Mr. Putter soon comes up with a witty and humorous solution that will have everyone laughing while they continue turning pages to see how it all ends.

Mr. Howard's cartoon-style illustrations greatly enhance this wonderful story, which is written in such a format to be used as either a 3-chapter book for the beginning reader, or a bedtime story that is longer in length. Either way, the Mr. Putter and Tabby books would be a great find for emerging readers' shelves. Like having a kindly old grandpa next door, they only make life richer!

I wish we lived next door to Mr. Putter! This is such a nice book. The part where Mr. Putter cuts up an old pair of boxer shorts to get elastic to make a slingshot is just silly enough to please a potty-humor-newbie, yet is still tasteful.

My son loved all the descriptions of "juicy things"...apple cider, apple pie, pear jelly, apple turnovers. Every time we read this book, he wants to make a different "juicy thing".

I love the comfortable companionship between Mr. Putter and Tabby, as well as the wonderful drawings. This book makes me want to check out the other Mr. Putter and Tabby books!

"Dr. Peck...has assembled an engrossing account of the illnesses and injuries as gleaned from the journals of the captains and enlisted men...The best known medical compilation in book form is the widely cited "Only One Man Died:The Medical Aspects of the Lewis and Clark Expedition" by orthopedic surgeon E.G. Chuinard. "r Perish in the Attempt" is a major improvement in that it provides detailed differential diagnosis and critical commentary on treatments that Chuinard did not include...The strength of Peck's book is its delightful readability..."Or Perish in the Attempt" is an excellent contribution to the Lewis and Clark medical canon and a must for medical Clarkies. It is also a delightful and satisfying account of the journey."
JAMA (Journal of the American Medical Association) July 2, 2003

Just finished this book and found it fascinating. Being from and living in the Pacific Northwest puts another perspective on the Lewis & Clark journey. It was particularly interesting that the author shed light on early 19th century medicine through the Lewis & Clark journey. Peck made both subjects very interesting, and I felt used a unique and humanistic style of writing in doing so. In reading the book, you feel like you can really identify with those that made the journey, almost as if you're traveling on the journey with them. I highly recommend the book to anyone interested in U.S. History, Adventure and/or Medicine.

The debut writing of Dr. Peck reveals the Lewis and Clark expedition in a new light. Not only do we learn about the route taken and what was discovered of the flora and fauna and landscape, we are taken into the Corps of Discovery. Having been given the omnipotent view of the trials and tribulations that went with this adventure, we learn about primitive wilderness medicine versus modern medicine. To read this is to become enriched about how far North Americans have come from the treatment of blood-letting! This book of high adventure in the untamed West will keep you enthralled until the last page is turned.

This is a very good book for those interested in Beowulf. In fact, it's as close to my idea of an "ideal" version that I can find.

There are several different sections in this book, besides the text of the poem itself. There are technicial discussions on the poetry itself, and a guide to pronounciation. At the rear of the book are discussions of the historical context of the poem, both internal to the poem and external in the world. A lengthy commentary of the poem follows, then a bibliography, and finally a line-by-line glossary of some of the major sections of the poem.

The part that caught my eye was the "dual langauge" edition. The main text consists of the Anglo-Saxon version on the left-handed pages, and a modern English translation on the right-handed pages. The author states that alliteration in the translation was not a concern, and sometimes the translation does not follow the original word-for-word. Within each numbered five-line block, the translation does follow the original, so it's not too hard to follow both the original and the translation.

As a final comment, Caedmon Audio produces an audio edition read by Bessinger, and I find this is to be an excellent compliment to the book.

Useful for learning Old English. Get a copy of Beowulf read in Anglo-Saxon on CD in order to help you speak Anglo-Saxon. It is lovely, but hard to speak. This is a good book to learn to write Asatru rituals, but to speak to the living Gods in their own tongue you'll need recorded readings of Anglo-Saxon to teach yourself Old English.
This book is old Enough to buy a used copy.
Even at the new prices it is worth it, for any student of Old English

After reading about the immense influence of Beowulf on Tolkien in "Celebrating Middle-Earth", I reread it in this translation. It is powerful and moves along rapidly. It captures the strong yet poetic use of words and brings out changes of mood brilliantly.

This was the first book of Jane's that I read. It amazed me how much she did and survived to tell about it, sometimes in a funny way. It is a great way to get to know Jane personally.

This was my favorite of Jane's many books. Jane's tale held me spellbound from beginning to end. I could hardly believe how much she and her husband lived through in order to establish a home in a very difficult environment. I felt like I lived the entire ordeal with them. Very worthwhile reading.

This is truly a "can't put it down" book. Jane's own story is deeply inspiring to anyone facing his or her own challenges. She writes with great humor and a deep faith in the power of the Almighty. Throughout the whole book the reader finds herself laughing and crying with Jane and cheering her on. Her descriptions of events are so vivid that the reader feels like it is taking place right here, right now. Jane has captured the spirit of the pioneer woman that she could have been if she had lived 100 years earlier.

Elegant writing by Ernest Hebert. In some ways he reminds me a little of Norman Maclean in style. Honest and elegant. A compelling time-period and characters who struggle with the way their lives are and what they could have been.

One day last spring, one of the other parents dropping kids off at school stopped me to say, "I stayed up late last night finishing the most wonderful book, and I have to tell someone, so I'm telling you." The book she was so ardently recommending was Ernest Hebert's The Old American. What is it about certain books that elicits such a need to pass them along?
I remember when I first read Hebert's novel The Dogs of March, which I've argued should be assigned to newly arrived New Englanders as required reading, like taking Vermont's Freeman's Oath. Myself, I read every paragraph twice as I made my way through the pages, the only time I ever recall doing that. Hebert has an incomparable ear for dialogue, an ability to set off a dramatic incident like a blasting cap, and his prose conveys the gnarled, bruising beauty of the north country. Darby, the town he invented as setting for his characters' collisions with fate and one another, is a place now present in detail in my mental cosmos.
Having achieved so much in a certain mode, Hebert evidently felt constrained by the conventions of the contemporary "realistic" novel. In the early 1990s he wrote a cyber-punk thriller called Mad Boys, worked on a nonfiction book about wood, then commenced work on a project seemingly very different.
As he explains in a note at the end of The Old American, he had been pondering childhood memories of a monument in Keene, New Hampshire. Almost hidden behind a hedge, a plaque commemorates the site where in 1736 a settler named Nathan Blake built the town's first log cabin, indicating that Blake was captured by Indians and taken to Canada for three years then ransomed by his wife.
So why do certain books compel readers to pass them on? First, there's the power of a fabulous story. The Old American has that, in spades: the tale of Nathan Blake's captivity unfolds with gravity and old-fashioned excitement. This is the New England frontier, sparsely populated, opulent in game, and with cloud-crowned forests and wild, spume-torn rivers. Nathan survives a series of tests among his captors, including traversing the infamous gauntlet in a rather original way (this episode is a tour de force of narrative strength and agility). Ultimately, although by definition still a slave, Nathan makes a home for himself in the village of Conissadawaga, a town of refugiés from tribes decimated by assimilation, war, and disease. Pulled between contesting strategies for survival ' settlement with European-style cabins and farms, or continuing the nomadic, foraging life further north ' the community is coming apart along age-old rifts. Saturated with historical insights and accuracies, Hebert's writing nonetheless vaults above its scholarly sources and succeeds as a vivid, vigorous story. In scenes of hunting and fishing, planting corn, gossiping by the fire, and gambling (paradoxically, to gain prestige by losing everything), the ancient dwellers on this land come alive. Especially moving and frequently comical is Hebert's way of conveying the linguistic mix surrounding Nathan, a simmering stew of Iroquian and Algonquian languages, French, English, Dutch, and even "slaughtered" church Latin.
Secondly, The Old American has magnificent characters. Although he initially tried to tell his tale from the viewpoint of Nathan Blake, according to Hebert after several failed drafts he re-routed and built the novel around the thoughts and narration of the elderly Indian named Caucus-Meteor, former slave himself and skilled as a multi-lingual translator. He is a combination of philosopher king and court jester, grand in intellect but self-effacing and mischievous. While Hebert's story is endlessly engaging, what lifts this novel to the level of greatness is the character of Caucus-Meteor. Hebert's bold choice, defying imaginative difficulties as well as literary-political correctness, is a mark of his stature as one of our most gifted novelists.
The Old American evokes an epoch far from our own, a time exhilarating in potential yet verging on catastrophe. Those of you who have read the book have surely noticed the enthusiasm and even urgency with which you commend it to others.

Fascinating plot and characters as mentioned above. Ernest Hebert is one of the rare ones who can start a sentence and then come seemingly out of nowhere to surprise the reader with images and rhythms juxtaposed in new and delightful ways. Treat yourself to this book now!

"The Bible as it was" is a wonderful and exhaustive work regarding scriptural interpretation and the first five books of the Bible. Early Jewish tradition was to fill in interpretive information when necessary to resolve items that were ambiguous or unclear. In addition, notes and commentary were often passed along with the texts and over time tended to become a part of the text. As a result, the Bible of today includes a lot of commentary as well as the original texts.
Kugel's purpose is to try to reconstruct the Bible as it was in its original form as closely as possible. While we all know that no copies of the original Bible exist today, the King James version was based on the Textus Receptus which was a Greek translation of the Bible and considered the oldest reliable source at the time. Since then there have been many archaeological finds of manuscripts from earlier points in time and in the original Hebrew language. Many of these passages differ somewhat from current translations. In theory, the older versions should be closer to the original version. Working from the oldest texts he examines some of the differences in the way passages were interpreted and what that could mean. This gets us closer to an original version without all the intervening thoughts and interpretations that earlier writers had added in an attempt to make it more understandable and applicable to the people of their time.
Dr. Kugel thoroughly documents his work complete with quotes, sources and annotations as appropriate.

A fascinating book that sheds new light onto many passages it should be read by anyone attempting a serious and scholarly study of the Bible.

This informtive study of the Hebrew Bible provides a chapter-by-chapter analysis of some of the most important stories of the Bible, describing how these stories were interpreted by various peoples, how its message was understood at the time, and the origins of modern explanations. An outstanding contrast between past and present interpretative methods.

As one who has waded through Genesis Rabbah all the way to Deuteronomy, scratching my head, making marginal notes like Rashi, and looking up almost every word, this book came like a 500 BTU central unit, to a cottage deep in the rain forest.

Dr. Kugel has gathered thousands of lines of commentary from unnumbered sources, but all from a 300 year time period, about 200bce to 100ce-- the same time the gospels and epistles were written, the Mishnah was codified and most of the rabbis of the Pirkei Avot were active.

Kugel quotes standard Jewish commentary, but he also quotes from Christian scriptures, treating them (as Christian scholar Rosemary Reuther suggested many years ago) as midrash upon the Jewish texts. He also uses standard histories of the time, such as Josephus' Antiquities, the works of Philo, and the Dead Sea Scrolls.

What makes this extensive work such a relief and a delight are the extensive annotations of the author: accurate citations are always given (I checked); end notes are given, describing all sources, and giving dates, or approximate dates. There is a bibliography of modern sources as well. Most importantly, each time a midrash or other commentary is inserted into the text of the Torah, Kugel gives us a most essential bit of information: he tells us what the problem is with that text that the commentator feels needs explaining.

It is not always obvious to a reader 2,000 years later what a certain rabbi's problem was with a text that prompted him to write the several lines of commentary he left us. The work Kugel has done-- his gift to us, is to climb into the minds of these people in a different place, discover what their concerns were, and deduce what parts of the texts would have caught their attention and for what reason. Since none of his interpretations (at least none I have looked-- and I've looked at most of them) seem forced or overly creative, I believe this is the work of a great scholar. I cherish it, and I thank him much.

The trapper's journal by Osbourne Russell during the early to mid 18 hundreds came as a bit of a surprise. First the book is a factual account without any explication of the events more than is necessary. It is not told as an adventure story eg "Last of the Mohicans" but rather as a journal pure and simple of the travels through the Rockies, mainly Yellowstone, of this young trapper over 9 years in the pay and as a member of Jim Bridger's fur company, around 100 men. The trade was at its peak at this time. As is true of most journals it is full of abbreviations of words because of time constraints eg brot. for brought, staid for stayed etc. This gives the impression of crudity in the writing, or of a man not used to writing but rather writing in only a haphazard fashion. Every reader knows how easy it is to loose all the fine points of writing when it is not practised constantly. The journal is full of place names and directions of travel and a few maps indicating the progress of the trappers. There is some description of the scenery and the Indians of the area eg Blackfoot which are a constant threat, Shoshones (Snake), Bonnack and Crow. Occasionaly I was pleasantly surprised by paragraphs of eloquence and beauty mixed in with the simplistic writing which was the norm. Russell was capable of very good writing when he was inspired or wished to do so. This is also demonstrated by his letters to his sisters which are written with great style and few grammatical errors, completely unlike his journals.

There is much which comes to the fore in regard to the period eg the waste and destruction as the parties of trappers even in groups as small as 3 wonder the countryside and simply kill a Bison Cow for a meal and then discard it, or just take the tongue to eat. Incredible disregard for nature is shown at times. The trapper is in continual fear of Blackfoot war parties who harrass them, both white and Indian, constantly. In one instance an enormous group of Blackfeet, thought to number up to 1000 or more by Russell, attempt to eradicate the entire group of Bridger's trappers, about 100. They decide not to due to an unfavourable (omen) display of Northern lights. Even in his day as the story nears the end of the 9 years Russell tells of the scarcity of Buffalo which were not wiped out in total until 1870 or so (80 million -> 1000). Its almost as if it comes upon them suddenly, "5 years ago thousands crossed the valleys of the Yellowstone, now its hard to find any". Russell even becomes a little conservationist in spirit when he states that maybe its time for the white man to leave this country because the wildlife has been so denuded.

An interesting book but with far too few passages describing the trapper's feeling along the way.

This is by far one of the best books that a fur trade re-enactor can read. It is also a must read for the modern beaver trapper as well. Osborne describes the everyday events of the fur brigades in their heyday. If you are a buckskinner, living historian, trapper or just an old west history buff then this is a MUST have!

A remarkable firsthand account of how it was back in the 1830's to early 1840's to be a fur trapper/trader in the Rocky Mountains. Russell lived it and told it like it was back then. One of few mountain men to keep a journal. I like how he gets quite descriptive in the day to day adventures and activities that he had to do for survival. An excellent book.

This reads like eloquent fiction, but is in truth the story of Tracy's father. He doesn't say which character his father is, and he doesn't insert himself into the story. But what a wonderful, heart-bending story it is. At all times the sadness of the situation is eclipsed by the bravery and courage of people without hope; people who do the best they can, and it is more than enough. For any of us who will grow old, which is most of us, this is a must read.

"For most of those long-lived, ailing people, Linda Manor represented all the permanence that life still had to offer. It was their home for the duration, their last place on earth." Thus writes Tracy Kidder in "Old Friends", an account of life in Linda Manor, a Massachussets old folk's home. It would be a useful exercise to watch a day's television and see how many elderly people are featured. The old are increasingly invisible in our society.

Once respect for one's elders was a maxim in most cultures. Now all has changed in the consumer capitalist west; with a prevalent worship of a narrowly-defined sense of "youth" - physically slim, impulsive, impatient; and the traditional virtues of the elderly - experience, deliberation, rumination - are derided in that accurate barometer of the spirit of the times, advertising. In medical training, there is an unspoken but clear bias against the elderly; students are advised to ensure that the stereotypically scatty little old lady sticks to matters of strict clinical relevance.

The notion that we have anything to learn from the elderly has disappeared from most contemporary culture. The elderly are a nuisance, a problem to be medicated and managed and forgotten. Kidder's book - unsentimental and heartbreaking, a clear-eyed portrait full of dignity and beauty and humour - is a counterblast to the cult of youth and the pathologising of old age. Increasingly we, as young people, live lives surrounded by people of our own age only - the decline of large families mean that we are less likely to have infant siblings or indeed much older siblings, while the large extended family gathering is increasingly dwindling.

The blurb on the back of "Old Friends" begins:"What's wrong with Tracy Kidder? A robust man, even a youthful one, a father fit and healthy, with years of life ahead of him: why did he voluntarily enter an old people's home?" One might fear a self-fixated meditation on the authors own concerns; but Kidder is an absent presence in the book; he gives his elderly cast the stage. The focus is mainly on Lou, a serene, wise ninety year old Philadelphian; and his roommate Joe, a tempermental impatient seventy-two year old who chafes at existence in the home after an active life. Kidder presumably had an extraordinary degree of access; not merely physical but also emotional. We are taken into the rooms of the dying, the deepest fears of those who will shortly join their ranks, the sadness and guilt of relatives. We see the power structure of the nursing home, a relatively enlightened one where nevertheless elderly people with enormous professional and administrative experience are made - with the best intentions - to feel like children.

We learn from the elderly in this book; and the elderly learn from each other. The gruff taciturn Joe is gently coached by Lou into telling his wife he loves her. Joe and Lou coach the staff of Linda Manor in tact and sensitivity- for example the hearty "Did you have a bowel movement today?" is replaced by the less intrusive"Did you or didn't you?" The full emotional range is here; love, ambition, anger, jealousy, pride; life in its most distilled, pure form - life facing

Ever since reading Tracy Kidder's "Soul of a new Machine" years ago, I've admired his ability to get you inside the lives, minds and hearts of the people he chronicles. Old Friends is Tracy's best yet. You will finish this book feeling like you really truly understand what it is like to live in a nursing home.